The hidden side of the transition to digital projection

The transition to digital technology in cinemas implies more than simply a different film projection medium. The changes that this new technological paradigm entails, which are invisible to viewers, tangibly impact the future of professions and the organization of the film industry. This article seeks to capture the main structural and organizational changes in the film distribution and exploitation sector caused by this technological innovation. More specifically, it shows that the arrival of digital technology in this industry in France is disrupting the organization of traditional broadcasting professions, partially redefining their role and raising new issues with repercussions on the players’ strategies and future.