Cinema in the digital age No 217, 2019/5 - pagesPages 9 to 15PresentationBy Philippe Chantepie, Thomas ParisPages 17 to 45Digital technology and cinemaBy Philippe Chantepie, Thomas ParisPages 47 to 77“In the mood for technology?”By Pierre-Jean Benghozi, Elisa Salvador, Jean-Paul SimonPages 79 to 112The hidden side of the transition to digital projectionBy Clémence AllamandPages 113 to 149Critique under influence?By Christophe Cariou, Fabrice RochelandetPages 151 to 184Generic mediation of film content on video-on-demand platformsBy Chloé DelaportePages 185 to 221“It takes fun and enhancing the appeal of cinema”By Tomas LegonPages 223 to 229Marc Vernet, Ainsi naquit Hollywood. Avant l’âge d’or, les ambitions de la Triangle et des premiers studios, Paris, Armand Colin, 2018, 270 p.By Jean-Paul SimonPages 230 to 234Mats Benner, The New Global Politics of Science: Knowledge, Markets and the State. Cheltenham, UK, Northampton, Mass., Edward Elgar Publishing, 2018, 232 p.By Lucile OttoliniPages 235 to 238Mohamed Zayani, Networked publics and digital contention. The politics of everyday life in Tunisia. Oxford, New York, Oxford University Press, 2015, 304 p.By Marine Al Dahdah
